Turtleneck Press Presents James Tressel & Brian Warfield

December 28th, 2011
Jan
29
7:00 pm

Sunday, January 29, 7pm – Poetry
Turtleneck Press Presents
JamesTressel & Brian Warfield

“Turtleneck Press wishes to invite you to the launch of its first two chapbooks. James Tressel will be reading from his chapbook of poetry and prose, “Furnace.” Brian Warfield, founder of Turtleneck Press, will read from “Grey Inserts Himself, Like an Oven Mitt in a Top Hat,” a series of linked stories. Afterwards, Turtleneck Press wants to hear from you and will open the floor to an open mic reading of one or two poems per reader.” Turtleneck Press, turtleneckpress.com

Three Poets from Detroit

January 25th, 2012
Jan
25
7:00 pm

Wednesday, January 25, 7pm – Poetry

Three Poets from Detroit

James Hart III, Anita Schmaltz, and Jhon Clark

The Weekly Revue

January 20th, 2012
Jan
20
8:00 pm

Friday, January 20, 8pm Doors, show starts at 9pm – $3-$5, BYOB

The Weekly Revue

The Weekly Revue’s Holy Scentsation Show is Back! For all your heartwarming-body-of-joy needs whe have phenomenal entertainments to overwhelm the emotions and enlighten the mind. And Houseband Los Culeros, and your host TOBY LOU – THE NASTY ONE – Plus MUCH MORE! BE THERE!

MPS: Diane Sahms-Guarnieri & g emil reutter

December 28th, 2011
Jan
24
7:00 pm

Tuesday, January 24, 7pm – Poetry
The Moonstone Poetry Series Presents
Diane Sahms- Guarnieri & g emil reutter

Diane Sahms- Guarnieri is a Philadelphia Poet. She is a graduate of East Stroudsburg State University and has performed post graduate work at Holy Family University. Her work has been published widely in the small and electronic press, Images of Being, her first full length collection was released in September of 2011. Currently the Poetry Editor of The Fox Chase Review (2009 –present), Diane served on the Editorial Board of Philadelphia Stories Magazine (2007-2009), founded The Fox Chase Reading Series “2nd Tuesdays Poetry Open Mic” (2009-2011), founded The Center City Poets Workshop (2006-2011). Diane has performed her poetry at venues along the east coast of The United States.

g emil reutter lives and writes in the Fox Chase neighborhood of Philadelphia. Eight collections of his poetry and prose have been published, the latest, Carvings released in November of 2010. He is the founder of The Fox Chase Review and The Fox Chase Reading Series.

Poets and Prophets Presents Debrah Morkun

December 28th, 2011
Jan
17
7:00 pm

Tuesday, January 17, 7pm – Poetry
Poets and Prophets Presents
Debrah Morkun

“I believe in near death experiences and pray to the old gods. I live in Philadelphia, where I curate The Jubilant Thicket Literary Series & co-curate (with Kim Gek Lin Short) The General Idea Series. I am the author of The Ida Pingala (BlazeVOX, 2011) & Projection Machine (BlazeVOX, 2010) as well as several chapbooks”

The Nation Magazine Discussion Group Presents Eugene McCarraher on The End of Capitalism

December 28th, 2011
Jan
15
11:00 am

Sunday, January 15, 11am – Discussion
The Nation Magazine Discussion Group Presents
Eugene McCarraher on The End of Capitalism and the Wellsprings of Radical Hope

Eugene McCarraher, Associate Professor of Humanities and History at Villanova University was published in a June 8, 2011 issue of The Nation on the topic: Reimagining Capitalism. His essay follows.

“Why should we want to reinvent capitalism? Rather than reinvent it, we should remind ourselves why capitalism is so pernicious. We could start by stating the obvious (which, apparently, needs restating): the nature and logic of capitalism are incorrigibly avaricious. As a property system driven by the need to maximize profit and production, capitalism is a giant, ever-whirling vortex of accumulation. Anything but conservative, it’s the most dynamic and protean economy in history. As Marx observed in the opening pages of The Communist Manifesto, capitalism thrives on constant reinvention: “The bourgeoisie cannot exist without constantly revolutionizing the instruments of production, and thereby the relations of production, and with them the whole relations of society.” Always seeking new ways to make money, capitalists have reinvented the system several times already. Enclosures, factories, Fordism, automation and “flexible production”—metamorphosis for the sake of profit is the only constant in capitalism. Each incarnation has featured new brands of exploitation and corruption, designed and packaged by masters of economic and managerial sophistry.

To be sure, reformers have been partially successful at shaping these reinventions: collective bargaining, regulations of business, the welfare state. Whatever victories for justice working people have won have been hard-fought and tenuous, the fruit of protracted struggle. But however ingenious or effective the reforms, they’ve been limited, if not eventually subverted, by the intractably mercenary nature of capitalism. As we can see from the history of the past forty years—an era that has been marked by a transatlantic assault on social democracy and New Deal/Great Society liberalism—the rage to accumulate remains the predatory heart and soul of capitalism. We have good reason to assume that capitalists will always seek and find fresh ways to cast off the fetters and vanquish their opponents.

But the iniquity of capitalism goes deeper than its injustice as a political economy, its amoral ingenuity in technical prowess or its rapacious relationship to the natural world. However lissome its face or benign its manner, capitalism compels us to be greedy, callous and petty. It takes what the Greeks called pleonexia—an endless hunger for more and more—and transforms it from a tawdry and dangerous vice into the central virtue of the system. The sanctity of “growth” in capitalist culture stems from this moral alchemy, as does the elevation of market competition into a model of human affairs.

Conscripting us into an economic war, capitalism turns us into soldiers of fortune, steeled against casualties and collateral damage, ransacking the earth to fill the shelves and banks with plunder. Capitalism stands condemned most profoundly not by its maldistribution of wealth or its ecological despoliation but by its systematic cultivation of people inclined toward injustice and predation. And I think we on the left need to start dismissing as utterly irrelevant the standard apologetic riposte: the material prosperity and technological achievement generated by capitalist enterprise. No amount of goods can compensate for the damage wrought on human nature by the deliberate nurturance of our vilest qualities. The desecration of the values we claim to hold most dear is the primary reason we should want to abolish, not reinvent, capitalism.

This suggests that what needs reinvention is not capitalism—leave that to the well-mannered barbarians in the business schools—but our moral and spiritual imagination. I don’t mean only the wisdom that lies in the venerable traditions of the left. Even those who have opposed capitalism have often fallen for its illusions: the ideal of “growth,” the mythology of “progress,” the cipher of “innovation.”

Any effort to end the tyranny of Mammon must be leavened by other concerns. What does it mean to be human? What do we really want? These are moral, even religious questions—the kind of questions we often dismiss as politically unserious, or relegate to the hallowed oblivion of “private life.” But they’re also political questions, for the answers determine the ends as well as the means of production. The ancient moral and metaphysical concerns may turn out to be not redoubts for reaction but wellsprings of radical hope.”

From Eugene McCarraher’s  forthcoming book The Enchantments of Mammon:

“First, I think that Christians should stop yakking about “consumerism.” “Consumerism” is not the problem—capitalism is. Consumerism is the work ethic of consumption, the transformation of leisure and pleasure into duties. Talking about consumerism is a way of not talking about capitalism, and I’ve come to think that that’s the reason why so many people, including Christians, whine about it so much. It’s just too easy a target. There’s a long history behind this, but the creation of consumer culture is very much about compensating workers for loss of control and creativity at work, and those things were stolen because capital needed to subject workers to industrial discipline. (I don’t, by the way, believe that we inhabit a “post-industrial” society. Our current regimes of work are, indeed, super-industrial.) Telling people that they’re materialistic is both tiresome and wrong-headed: tiresome, because it clearly doesn’t work, and wrong-headed, because it gives people the impression that matter and spirit are antithetical. As Christians, we should be reminding everyone that material reality is sacramental, and that therefore material production, exchange, and consumption can be ways of mediating the divine.

As for abortion, I think we have to stop seeing it as the primary culprit in a “culture of death.” Abortion becomes conceivable as a moral practice once we take individual autonomy as the beau ideal of the self; but to recognize that is, if we’re logical, to indict not only abortion but also our cherished idyll of “choice” or “freedom.” But that, then, is to indict capitalism, which employs a similar language of sovereignty both to legitimate itself and to obscure the remarkable lack of creative freedom at work. I know that I’ll catch a lot of hell for saying this, but I think that a lot of opposition to abortion is sheer moral sentimentality which turns the fetus into a fetish. (You’ll notice that I think fetishism of some sort or other is a pretty salient feature of the contemporary American moral imagination.) Many of the same people who oppose abortion are champions of laissez-faire capitalism, and they either don’t see or don’t care to see the linguistic and cultural affinities between themselves and the pro-choice advocates they fight. They’ll retort that capitalism doesn’t kill anyone in its normal operations, but, first, that’s just not true—capitalism has never been instituted or maintained anywhere, not even in the North Atlantic, without considerable coercion and violence—and second, it doesn’t matter, because the exercise of market “autonomy” has devastating effects on individuals and communities regardless of whether or not they wind up dead. (“Yeah, the company cut your medical benefits or cut your job or left your town a mess, but hey, you’re still alive!”) When I say this, a lot of people retort that I’m “changing the subject.” In one way, yes I am, but for a reason—because I want them to see that it is the same subject, in a different guise. Talking about abortion is a way of not talking about the “autonomous individual,” the latest ideological guise of libido dominandi, discussion of which would topple quite a few idols, and not just “reproductive choice.”

Brenda Dixon Gottschild author of Joan Myers Brown & The Audacious Hope of the Black Ballerina

December 28th, 2011
Jan
14
2:00 pm

Saturday, January 14, 2pm – Non-Fiction
Brenda Dixon Gottschild author of Joan Myers Brown & the Audacious Hope of the Black Ballerina ($27.00 Palgrave Macmillan)

Founder of the Philadelphia Dance Company (PHILADANCO) and the Philadelphia School of Dance Arts, Joan Myers Brown’s personal and professional histories reflect both the hardships and the accomplishments of African Americans in the artistic and social developments through the twentieth century and into the new millennium. Dixon Gottschild deftly uses Brown’s career as the fulcrum to leverage an exploration of the connection between performance, society, and race beginning with Brown’s predecessors in the 1920s and a concert dance tradition that has had no previous voice to tell its story from the inside out. Augmented by interviews with a score of dance professionals, including Billy Wilson, Gene Hill Sagan, Rennie Harris, Milton Myers, Jawole Willa Jo Zollar, and Ronald K. Brown, Joan Myers Brown’s background and richly contoured biography are object lessons in survival a true American narrative.

Brenda Dixon Gottschild, author of Digging the Africanist Presence in American Performance, Waltzing in the Dark, and The Black Dancing Body, is professor emerita of Dance Studies at Temple University and a former senior consultant and writer for Dance Magazine. Brenda Dixon Gottschild writes the definitive book on the Founder of the Philadelphia Dance Company (PHILADANCO) and the Philadelphia School of Dance Arts, Joan Myers Brown. Her personal and professional histories reflect the hardships as well as the advances of African-Americans in the artistic and social developments of the second half of the twentieth and the early twenty-first centuries. This is a compelling story about race and the arts in America. Dixon Gottschild uses Brown’s career as the fulcrum to leverage an investigation of the interface between performance, cultural formation, and race politics as evidenced by the development of a dance community in black Philadelphia and the rise and spread of its influence beyond community and regional borders to national and international distinction.

LOS: The After Hours Trio + One & Craig Ebner Quartet feat. John Swana

December 28th, 2011
Jan
13
8:30 pm

Friday, January 13, 2012 – BYOB – Doors: 8:30 p.m. Show: 9 p.m. sharp - $10 at the door / $8 in advance (only at http://www.brownpapertickets.com/event/217298)

Lucky Old Souls @ Moonstone Presents
The After Hours Trio + One
& Craig Ebner Quartet featuring John Swana

THE AFTER HOURS TRIO + ONE: Najwa Parkins, vocals; Luke Brandon, trumpet; Dan Hanrahan, guitar; Justin Sekelewski, bass

The AFTER HOURS TRIO + ONE is a Philadelphia-based jazz quartet comprised of NAJWA PARKINS on vocals, LUKE BRANDON on trumpet, DAN HANRAHAN on guitar, and JUSTIN SEKELEWSKI on bass. This uncommon combination makes for a distinctive sound and a versatile band, fit for any venue. The After Hours Trio + One has been active since 2009, and has played at various public and private venues including the historic The Deer Head Inn in Delaware Water Gap, PA, The Piazza at Schmidt’s in Northern Liberties, Philadelphia, and most recently, the COTA (Celebration of the Arts) Jazz Festival in the Delaware Water Gap. The group is also featured on Not the Next Someone Else, the newly released debut album from group leader, Najwa Parkins.  Najwa is a recent graduate of Temple University’s Boyer College of Music and Dance, were she studied jazz voice with Joanna Pascale, classical voice with Dr. Julie Bishop, and trombone with Luis Bonilla.  She has performed with Phil Woods, Bob Dorough, and Tony Marino.

CRAIG EBNER QUARTET feat. JOHN SWANA: Craig Ebner, guitar; John Swana, EVI (electric valve instrument); Justin Sekelewski, bass; Carl Moritz, drums

Guitarist CRAIG EBNER is an avid performer and teacher of music. Since his graduation from the Hartt School of Music in 1992, he has performed with many musicians locally and internationally, most notably, with organist Joey DeFrancesco and drummer Byron Landham whom he toured with extensively from 1999 – 2002.  He has taught in several capacities at the university level as well as the high school and elementary levels. Currently, Craig is on faculty at Temple University in the Jazz Studies department where he teaches guitar performance and jazz history.

Lucky Old Souls @ Moonstone is a monthly event, showcasing some of Philadelphia’s most creative musicians in a laid-back, BYOB venue that combines the intimacy of a club with a concert hall’s respect for the music.

What’s Funny About That, An Evening of Subversive Comedy

December 28th, 2011
Jan
11
7:30 pm

Wednesday, January 11, 7:30pm – $5 donation recommended – Comedy
Laughworks Presents
“What’s Funny About That”
AN EVENING OF SUBVERSIVE COMEDY
With Alex Pearlman, Art Stern, Phyllis Voren
LAUGHTER IS GOOD FOR YOU, AND IT’S CONTAGIOUS, TOO
People are talking about “What’s Funny About That?” An Evening of Subversive Comedy, the new and already successful stand-up comedy show featuring the best and funniest local talent.

ALEX PEARLMAN has worked in all of Philly’s comedy clubs and is glad new ones keep opening. His emotional tirades are hilarious – definitely a comer.

ARI STERNsternari@gmail.com
The first time Ari performed stand up, he ended up winning Boston University’s Funniest Student 2010. Since then, he’s performed all around Boston and was a finalist once again in BU’s Funniest Student in 2011. He’s very excited that he got to write a bio (in third person) for a performance in his hometown.

PHYLLIS VOREN has entertained U.S. troops in the Arctic Circle; performed in a Ritz Crackers commercial with Andy Griffith; done improv at The Comedy Store in L.A. and was a regular performer at Dangerfields Comedy Class in NY. She was named Philadelphia’s Funniest Jewish Comic at, what was then, Funnybones on South Street, and has played in clubs and colleges throughout the US. After 15 years hiatus, she’s back doing what she loves most, comedy!

Ewuare Osayande author of Whose America?

December 28th, 2011
Jan
10
7:00 pm

Tuesday, January 10, 7pm – Poetry
Ewuare Osayande
author of Whose America? New and Selected Poems

Writing in the socially-engaged poetic tradition of Langston Hughes and Walt Whitman, Ewuare X. Osayande unleashes his latest book of poems, Whose America?, that takes on the political climate of this country and garners the praises of two living legends of Black poetry, Amiri Baraka and Haki R. Madhubuti, in the process. It is from this artistic trajectory that Osayande crafts a whirlwind of poems that chronicle the national political journey of the past few years. From Hurricane Katrina to the current economic crisis, Osayande is a bard that pays homage to the strength of the human spirit with each poem. Readers have come to appreciate Osayande’s internationalist worldview.

In Whose America?, Osayande is reporter, translator, interpreter and negotiator. He takes us from the ghettoes of Paris to the marshes of Nigeria to the ruins of Haiti after the 2011 quake. He remembers the lives of activists and cultural icons such as Octavia E. Butler, Gil Scott-Heron, Lucille Clifton and Ken Saro-Wiwa. Rooted in the Black radical tradition of speaking truth to empower, Osayande’s poems cry forth a defiance that is rooted in an unflinching love for humanity.

When “Take Our Country Back” has become a rallying cry of the Tea Party, Ewuare Osayande’s book poses the fundamental question of this time. In the book’s introduction, Madhubuti states that Whose America? is both “a question and an answer.” “His poetic range is that of a seer,” continues Madhubuti. “Writing to this poet is like drinking water; it is his life-source, his song, and his uniquely determined voice.” And Osayande’s determination is on full display in Whose America?. Whether challenging the President in the poem “An Open Letter to President Obama” – “how can we pull ourselves up/ when our boots been snatched/ been repossessed/ been foreclosed/ we can’t live vicariously through you/ in the White House/ when we too busy trying to stay in our own homes” – or counseling his sons in the poem “that first day” – “i have tried to show you that/ being a man is not macho talk/ curse words/ chest beating/ and boasting/ its quiet contemplation of yesterday/ building tomorrows/ with the bare hands of your ambition,” Osayande carries a passion and transparency that is compelling.
According to poet icon Amiri Baraka, Osayande “is one of the United States’ most important young poets!” For Osayande, such praise is humbling. “I have walked a path that was blazed by both of these men. For me, they are the twin towers of Black poetry. It is the highest honor of my career thus far to be recognized by them both.”

Ewuare X. Osayande is an activist and author of fifteen books and pamphlets including Blood Luxury with an introduction by Amiri Baraka and Misogyny and the Emcee: Sex, Race and Hip Hop. He is founder of The People’s Alliance for Justice Now!. Currently, he teaches African American Studies at Rutgers University in Camden, NJ.
More information on Whose America? and Ewuare X. Osayande is available at his website www.osayande.org. Listen to Osayande read one of the poems from the book at osayandespeaks.podomatic.com. Osayande is available for readings, workshops and interviews. Contact him at 484.362.9240 or email him at osayandespeaks@gmail.com