Lamont Steptoe with Aaren Yeatts Perry and Quincy Scott Jones

February 25th, 2013
Mar
12
7:00 pm

Tuesday March 12, 2013, 7pm
Lamont Steptoe with Aaren Yeatts Perry and Quincy Scott Jones

Moonstone Mentor & Mentored Series @ PhillyCAM Studio – 699 Ranstead Street (between Chestnut and Market)

Lamont B. Steptoe,author of Meditations in “Congo Square”, was born and raised in Pittsburgh, PA. He is the author and/or editor of fifteen poetry collections, the latest of which is Meditations in Congo Square, and publish/founder of Whirlwind Press. He is the winner of an American Book Award and a Pew Fellowship in the Arts. Aaren Yeatts Perry has performed his poems at the Nuyorican, Kimmel Center, World Café, Fringe Festival, Kelly Writers House and the Philadelphia Writers Conference along with countless stages and classrooms across America. Quincy Scott Jones earned his Bachelor’s degree from Brown University, Master’s degree from Temple University, and $100 once working as supermarket clown. His work has appeared in such anthologies as Heroics, From Where We Sit: Black Writers Write Black Youth and Let Loose on the World: Celebrating Amiri Baraka at 75.

Carlos Trujillo, Roger Santiváñez, Enrique Sacerio-Gari

February 18th, 2013
Mar
13
7:00 pm

March 13, 2013 at 7pm

Carlos Trujillo, Roger Santiváñez, Enrique Sacerio-Gari

*Reading in Spanish & English

Open Reading follows.

Second Wednesday of the month will be coordinated and hosted by
Charles Carr
, a native Philadelphian, born and raised in Southwest Germantown. In 2007 Charles

was Mad Poets Review First Prize Winner for his poem “Waiting To Come
North”.  In 2009 Cradle Press of St. Louis published Charles’s first book
of poetry: paradise, pennsylvania. Charles’ poems have been published in
various print and on-line local and national poetry journals.  Charles has
recited his poems at various regional poetry events.  Haitian Mud Pies
will be published in 2013.

Poetic Quid Pro Quo

February 18th, 2013
Mar
6
12:00 am

March 6, 2013  at 7pm

What is poetic quid pro quo?

This is about: fellow poets reading your work! and you reading the works of
fellow poets! Bring at least one poem for someone else to read.  You
read/recite one and read the work of one of the poets in attendance.  Then
someone else has the pleasure of reading your work.  For more information
call Elijah at 267.312.3600

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First Wednesday of the month be coordinated and hosted by Elijah B. Pringle, III, former on-air host of Panoramic Poetry at October Gallery.com, he is the author of At the Cornerstone, Feeding the Sparrow, and Second Saturday at Serenity. His work has been in Edison Poetry Review, Fox Chase Review, The God’s Must Be Bored, and will have a Feature is The River Poets Journal. Come join us for first Wednesdays at Fergie for Poetic Quid Pro Quo.

Moonstone Poetry lives on with weekly series

February 5th, 2013

Moonstone Poetry Lives with a
weekly series of poetry readings at

Fergie’s Pub, 1214 Sansom
Street.

Each week of the month will have a different host. All programs will include an open reading.

First Wednesday of the month be coordinated and hosted by Elijah B. Pringle, III, former on-air host of Panoramic Poetry at October Gallery.com, he is the author of At the Cornerstone, Feeding the Sparrow, and Second Saturday at Serenity. His work has been in Edison Poetry Review, Fox Chase Review, The God’s Must Be Bored, and will have a Feature is The River Poets Journal.

February 6, 2013 – Come join us for first
Wednesdays at Fergie for Poetic Quid Pro Quo. What is poetic quid pro quo ? This is about: fellow poets reading your work! and you reading the works of fellow poets! Bring at least one poem for someene else to read.  You read/recite one and read the work of one of the poets in attendance.  Then someone else has the pleasure of reading your work.  For more information call elijah at 267.312.3600

Second Wednesday of the month will be coordinated and hosted by Charles Carr, a native Philadelphian, born and raised in Southwest Germantown. In 2007 Charles was Mad Poets Review First Prize Winner for his poem “Waiting To Come North”.  In 2009 Cradle Press of St. Louis published Charles’s first book of poetry: paradise, pennsylvania. Charles’ poems have been published in various print and on-line local and national poetry journals.  Charles has recited his poems at various regional poetry events.  Haitian Mud Pies will be published in
2013.

February 13, 2013 – Katherine Bancroft and Steve Burke

Third Wednesday of the month be coordinated and hosted by Dave Worrell, whose first chapbook titled “We Who Were Bound” was published in August 2012 by Casa de Cinco Hermanas Press.  His poems have appeared in U.S. 1 Worksheets, Mad Poets Review, Exit 13, Wild River Review, Fox Chase Review and Adanna.  He has performed his music-backed poems at Chris’ Jazz Café in Philadelphia and The Cornelia Street Café in New York.

February 20 – no program since Fergie had
already booked an event for this time slot.

Fourth Wednesday of the month will be coordinated and hosted by Suzan Jivan, poet, photographer, fiber artist and avid blogger, she will feature themed poetry readings followed by open readings.  While fairly new to Philadelphia Suzan has enjoyed attending the readings at the many poetry venues and looks forward to adding to the Philadelphia scene.

February 27, 2013
– “Animal Lovers” Please join 4 poets 4 all sorts of Philly fauna in alphabetical order:
Mary Brucker, Ryan Eckes, Mytili Jagannathan, & Frank Sherlock as we celebrate all creatures large and small! An open will follow. Suzán Jiván will be the host

Mentor and Mentored Series continues at PhillyCAM
studios,
699 Ranstead Street, (between Chestnut and Market on 7th Street)
Philadelphia, PA 19106, tel: 267-639-5481,
on the second
Tuesday of each month at 7pm.
These programs will be recorded with a live audience at
the PhillyCAM studios, then edited and broadcast at a later date. Mentor and
Mentored is an intergenerational poetry series that presents both the mentor and the mentored:
how does poetry travel from generation to generation, what are the themes, the
sounds; what changes and what stays the same.

Tuesday February
12, 2013 – April Lindner with Angela Canales and Bernadette McBrideApril Lindner is the author This Bed Our Bodies Shaped and Skin ( 2001 Walt MacDonald First Book Prize from Texas Tech University Press). She writes literary criticism, edits poetry anthologies and is a professor of English at Saint Joseph’s University in Philadelphia. Lindner has edited three anthologies: Contemporary American Poetry (2004), with R.S. Gwynn; a bilingual anthology of Spanish and English poetry, Lineas Conectadas: Poesia Nueva de los Estados Unidos (2006); and Contemporary Poetry in the United States (2007), a bilingual anthology in Russian and English. She is also the author of the critical study Dana Gioia (2003), published in the Boise State University Western Writers Series. In 2010, she published a young adult novel, Jane.

Lindner has edited three anthologies: Contemporary American Poetry (2004), with R.S. Gwynn; a bilingual anthology of Spanish and English poetry, Lineas Conectadas: Poesia Nueva de los Estados Unidos (2006); and Contemporary Poetry in the United States (2007), a bilingual anthology in Russian and English. She is also the author of the critical study Dana Gioia (2003), published in the Boise State University Western Writers Series. In 2010, she published a young adult novel, Jane.

Lindner has edited three anthologies: Contemporary American Poetry (2004), with R.S. Gwynn; a bilingual anthology of Spanish and English poetry, Lineas Conectadas: Poesia Nueva de los Estados Unidos (2006); and Contemporary Poetry in the United States (2007), a bilingual anthology in Russian and English. She is also the author of the critical study Dana Gioia (2003), published in the Boise State University Western Writers Series. In 2010, she published a young adult novel, Jane.

Lindner has edited three anthologies: Contemporary American Poetry (2004), with R.S. Gwynn; a bilingual anthology of Spanish and English poetry, Lineas Conectadas: Poesia Nueva de los Estados Unidos (2006); and Contemporary Poetry in the United States (2007), a bilingual anthology in Russian and English. She is also the author of the critical study Dana Gioia (2003), published in the Boise State University Western Writers Series. In 2010, she published a young adult novel, Jane.

Lindner has edited three anthologies: Contemporary American Poetry (2004), with R.S. Gwynn; a bilingual anthology of Spanish and English poetry, Lineas Conectadas: Poesia Nueva de los Estados Unidos (2006); and Contemporary Poetry in the United States (2007), a bilingual anthology in Russian and English. She is also the author of the critical study Dana Gioia (2003), published in the Boise State University Western Writers Series. In 2010, she published a young adult novel, Jane.

Lindner has edited three anthologies: Contemporary American Poetry (2004), with R.S. Gwynn; a bilingual anthology of Spanish and English poetry, Lineas Conectadas: Poesia Nueva de los Estados Unidos (2006); and Contemporary Poetry in the United States (2007), a bilingual anthology in Russian and English. She is also the author of the critical study Dana Gioia (2003), published in the Boise State University Western Writers Series. In 2010, she published a young adult novel, Jane.

Angela Canales is a high school educator, freelance editor, translator and writer who earned her master’s in Writing Studies at St. Joseph’s University. Her story “Out of Nowhere” was included in the 2009 anthology The Best of Philadelphia Stories: Volume 2. Bernadette McBride (Poet Laureate of Bucks County, PA in 2009) is a college English professor who also teaches both Poetry and Fiction writing in workshops for adults of all ages, directs the monthly Featured Poet reading series at Farley’s Bookshop in New Hope, PA, and has given readings of her own widely published work in many and varied venues.

Ida B. Wells Biography

November 21st, 2012


Of all the Great civil rights leaders, Ida B. Wells is one of the least known – yet one of the most important. An activist, educator, writer, journalist, suffragette, and pioneering voice against the horror of lynching, Ida B. Wells used fierce determination and the power of the pen to educate the world about the unequal treatment of blacks in the United States. She helped found the NAACP, fought for women’s voting rights and waged a campaign against lynching that exposed the use of mob violence to terrorize African-Americans

Ida B. Wells was born into slavery on July 16, 1862, six months before the Proclamation Emancipation in Holly Springs, Mississippi. She grew up during Reconstruction, a time of great hope and freedom. Her parents died of Yellow Fever in 1878 and Ida became the head of her household of five younger children at the age of 16. She left school, earned her teachers certificate and began work as a teacher. The following year she moved to Memphis with two of her sisters and continued teaching in Tennessee.

In 1884 Ida was forcefully removed from the ladies car of the Chesapeake and Ohio Railroad when she refused to sit in the segregated car for blacks. She sued the railroad and won. The Jim Crow laws provided for separate by equal treatment, but since there was not a separate “colored” ladies car the court ruled that she should not have been removed. The Tennessee Supreme Court overturned the reward in 1887.

Ida began writing for church bulletins and newsletters and then for the black weekly press. In 1889 she became part owner of the Memphis Free Speech and Headlight, demanding full equality with her male partners.

On March 9th, 1892, three friends of Wells — Thomas Moss, Calvin McDowell, and William Stewart — were lynched outside of Memphis. The three men owned and operated a store called the People’s Grocery, a business that competed successfully with a white-owned store nearby. The rivalry between the two businesses escalated into violence between whites and blacks. Police charged Moss, McDowell, and Stewart with inciting a riot and arrested them. A mob then stole the men from the jail and murdered them on the outskirts of the city. In protest, Wells wrote a strongly-worded and uncompromising editorial in her newspaper, attacking the lynch mob for its barbarism and exposing the South’s justification for lynching — a mob reaction to the crime of rape- as a “thread-bare lie.” Angered by the editorial, a violent mob attacked and destroyed the offices of the Free Speech and Wells’ life was threatened. She was warned never to return to Memphis. Wells began to investigate the lynching phenomenon from New York, where she wrote for the African-American newspaper, the New York Age. Her findings were compiled and published in the fall in a story titled Southern Horrors: Lynch Law in All Its Phases.

Protesting the racism that purposefully excluded African-Americans representation in the Chicago World’s Fair, Wells published The Reason Why the Colored American is Not in the World’s Colombian Exposition in 1893. Frederick Douglass, Irvine Garland Penn and Wells’ future husband, Ferdinand Barnett, contribute to the publication. Wells’ anti-lynching pamphlet, “A Red Record,” appeared in 1893 when she also married Ferdinand Barnett. Ida is one of the first women to hyphenate her name becoming Ida B. Wells-Barnett. In 1986 she participated in the founding of the National Association of Colored Women. Wells-Barnett told the story of Robert Charles, an African-American who challenged police harassment in New Orleans in May 1900 in Mob Rule In New Orleans.

Following a race riot in Springfield, Illinois, Wells-Barnett participated in the founding of the National Association for the Advancement of Colored People (NAACP) in 1909. Suspicious of the largely white leadership, and skeptical that the organization could effectively address the most difficult racial problems, Wells-Barnett eventually left the organization.

In 1910 Wells-Barnett founded the Negro Fellowship League, an organization which provided shelter, employment, and other services for the migrants who came to Chicago from the South in search of factory work.

Wells- Barnett turned her reformist energies towards winning the vote for all African-Americans in 1913; particularly women. She formed the first suffrage club for black women in the state of Illinois: the Alpha Suffrage Club. She participated in the in National American Women’s Suffrage Association’s (a white women’s suffrage group) parade in Washington on March 3, 1913; a protest timed to coincide with the inauguration of Woodrow Wilson as the nation’s 28th President. Characteristically, Wells-Barnett refused to march at the back of the parade and demanded to walk alongside the white delegates from her state. “I shall not march at all,” she declared, “unless I can march under the Illinois banner.” Her protests failed to force a change. Along the parade route, Wells-Barnett stepped out of the crowd and into line with the main delegation, protected by sympathetic whites like Alice Paul and still opposed by others. Her efforts mark the integration of the movement. She returned to Washington D.C. in 1918 to show her support for the Constitutional amendment that gave women the vote.

Wells-Barnett spoke before Marcus Garvey’s organization, the Universal Negro Improvement Association (UNIA) in 1916, congratulating the nationalist leader for unifying African-Americans and instilling them with pride in their people. In 1918 she was selected by the UNIA along with labor leader and fellow editor William Monroe Trotter to attend the Versailles Peace Conference in Paris: a meeting of world leaders at the end of World War I. The U.S. government denied the two permission to attend the conference, claiming that their association with groups like Garvey’s made them dangerous radicals. Wells-Barnett spent the next decade challenging racism and addressing the great issues of her day. She died in Chicago on March 25, 1931. Her autobiography, Crusade for Justice, was published by her daughter, Alfreda Duster in 1970.

Ida B. Wells-Barnett was one of the top three leaders of the African American struggle at the turn of the twentieth century but is almost unknown today. Why is that?

Ida was a strong-willed individual who was unwilling to compromise her principles and this put her in conflict with other leaders. She criticized the leadership of the Suffrage Movement including her friend, Susan B. Anthony, for not confronting the Jim Crow laws and Lynching.  She criticized the black male leadership for the same thing. W.E.B. Dubois asked her to “tone down” her criticisms, but Ida refused. She was a self-educated working class woman in a period where leadership was college educated, upper class, and male dominated. Ida traveled alone, when women didn’t do that. Ida wrote about politics and social ills when “women writers” wrote about “house issues.” She was one of the first investigative reporters and sociologists and studied lynching, exposing the claim that black men were lynched for raping white women as false. Most lynching was to “keep the nigger in his place” and punish black success as her friends lynching in 1892 showed, and when inter-racial relationships were involved they were usually consensual. This meant that Ida was talking about sex, when nobody talked about sex, especially not women. She refused to be intimidated  and starting carry a gun after her friends were lynched, saying, “One had better die fighting against injustice than die like a dog or a rat in a trap.”

She insisted that law and order pertain to everyone and changed the United States by exposing the evil of lynching through the strength of her writing. It is Ida B. Wells’ intelligence, integrity, bravery and commitment that made her “The Mother of the Civil Rights Movement,” and make her a role model for today.

 

M&M: Sonia Sanchez with Siduri Beckman & Jaya Montague

March 20th, 2013
Apr
9
7:00 pm

Moonstone Poetry Series Presents Mentor and Mentored – Sonia Sanchez with Siduri Beckman & Jaya Montague

Tuesday April 9, 7pm – At PhillyCAM Studios

699 Ranstead Street, Philadelphia, PA 19106 (between Chestnut and Market Streets )

An intergenerational poetry series that presents both the mentor and the mentored: how does poetry travel from generation to generation, what are the themes, the sounds, what changes and what stays the same. Filmed with a live audience at the PhillyCAM Studio, the program will be edited and broadcast at a later date. 

 Sonia Sanchez – poet, activist, scholar—was the Laura Carnell Professor of English and Women’s Studies at Temple University. She is the recipient of both the Robert Frost Medal for distinguished lifetime service to American poetry and the Langston Hughes Poetry Award. One of the most important writers of the Black Arts Movement, Sanchez is the author of sixteen books, a contributing editor to Black Scholar and The Journal of African Studies, and editor of We Be Word Sorcerers. She is Poet Laureate of the City of Philadelphia, and has taken on the mentorship of two young poets: “I have judged many, many poetry contests and I’ve been known by people who have led those contests that I can’t choose one person. They kept saying, ‘You gotta have one person here.’ Although we have one person, I explained to the runner up that she would be reading her poetry with us around the city. I think that’s important. It’s not one person someplace…We’re gonna have the two of them reading in the city of Philadelphia.”

Sanchez continued: “Hear the sound of these young poets’ rhythm on our teeth this year. Hear the sound of beauty on their breast this year as their poems explode from clouds, and kneecaps, and veins, and eyes. As their tongues embroider us with their pyramids. I want you to understand that I take it seriously, this whole idea of mentoring two young people. They’ll be hanging out with me.”

Siduri Beckman is a student at Julia R. Masterman School who aspires to be a district attorney and eventually a Supreme Court justice. A six-member committee selected two finalists, and the city’s first poet laureate, Sonia Sanchez, made the final decision. “I really think [poetry] can be used to help teens with issues,” said Beckman, who sleeps with a pen and adhesive notes near her bed and spends her free time reading, writing short stories and doing community service. “A lot of grown-ups don’t always understand what teenagers feel. Poetry is this super-raw form of expression [in which] teenagers can talk about the issues that they face.”

Jaya Montague, Philadelphia Young Playwrights Youth Council Member and student at the Philadelphia High School for Creative and Performing Arts has been writing since she was five years old. “I just want to thank everybody who’s ever supported my writing because I’ve been writing since probably kindergarten. My Aunt Sandy who’s not here who, in the summer time, would sit down and make me write for three hours, which I hated, but then I grew to love writing. I’d like to thank my mother who’s always been there for me — through everything; my grandmother, without the strength that she had I wouldn’t be where I am today.”

Lamont Steptoe with Aaren Yeatts Perry and Quincy Scott Jones

February 18th, 2013
Mar
12
7:00 pm

Tuesday March 12, 7pm

Moonstone Poetry Series Presents Mentor and Mentored

Lamont Steptoe with Aaren Yeatts Perry and Quincy Scott Jones

Lamont B. Steptoe author of Meditations in “Congo Square” ($11.95 Whirlwind Press) was born and raised in Pittsburgh, Pennsylvania. He is the author and/r editor of
fifteen poetry collections, the latest of which is Meditations in Congo Square, and publish/founder of Whirlwind Press. He is the winner of an American Book Award and a Pew Fellowship in the Arts.

“Most poets are simply that. Sonia Sanchez and Lamont B. Steptoe answer to a higher calling: Prophecy! In Meditations… Steptoe is the Necromancer, translating the
language of the dead to the living, whether they be the recently departed or Ante-Bellum spirits. While our age of obesity, self-gratification, and credit cards whistles past the graveyard, Lamont reads this burial ground like an Alufaa would read cowrie shells. Yes, there is the Philadelphia of Brotherly love, the old Quaker City that infuriated George Washington by offering refuge to fugitive slaves, but there is the other Philadelphia, the City of Brotherly death, whose atrocities are still being unearthed. Lamont B. Steptoe is the
poet of this hidden Philadelphia. His brother – Philadelphia poet of death, Edgar Allen Poe – would be proud.” – Ishmael Reed

Quincy Scott Jones earned his Bachelor’s degree from Brown University, Master’s degree from Temple University, and $100 once working as supermarket clown. His work has appeared in such anthologies as Heroics, From Where We Sit: Black Writers Write Black Youth and Let Loose on the World: Celebrating Amiri Baraka at 75. He is involved with Arcadia University’s Undergraduate Creative Writing Concentration and M.F.A. program. With Nina Sharma Jones he co-created the Nor’easter Exchange:  a multicultural, multi-city reading series.   His first book, The T-Bone Series, was published by Whirlwind Press in 2009.

Aaren Yeatts Perry has performed his poems t the Nuyorican, Kimmel Center, World Café, Fringe Festival, Kelly Writers House and the Philadelphia Writers Conference along with countless stages and classrooms across America. With his consulting firm, Education Action Resources, he taught nonviolence and writing workshops to all ages at schools and colleges on the East Coast and in the Midwest for 20 years. Since 2004, he is a global organizational development consultant. Perry is published in various literary magazines. His work appeared on NPR and regional television. He produced and directed Page2Stage, a long-running all-poetry TV show on Cable. Student, Husband, Father, Capoerista, Shambhala warrior — his work spans genres and decades. Bilingual and with an MFA from Vermont College, he received a PA Council on the Arts Grant. His collections include Open Fire, Poetry Across the Curriculum: An Action Guide for Elementary Teachers, and a spokenword CD, Mercury  Calling, available at the reading.

An intergenerational poetry series that presents both the mentor and the mentored: how does poetry travel from
generation to generation, what are the themes, the sounds, what changes and what stays the same.

 

“Ladies Night” Stephanie B, Courtney K. Bambrick, Carol Ann Bond

February 18th, 2013
Mar
27
7:00 pm

March 27, 2013 at 7pm

“Ladies Night” Stephanie B, Courtney K. Bambrick, Carol Ann Bond

Fourth Wednesday of the month will be coordinated and hosted by Suzan Jivan, poet, photographer, fiber artist and avid blogger, she will feature themed poetry readings followed by open readings.  While fairly new to Philadelphia Suzan has enjoyed attending the readings at the many poetry venues and looks forward to adding to the Philadelphia scene.

Rocky Wilson & Andrea Carlson

February 18th, 2013
Mar
20
7:00 pm

March 20, 2013 at 7 pm

Rocky Wilson & Andrea Carlson

Open Reading follows.

Third Wednesday of the month be coordinated and hosted by Dave Worrell, whose first chapbook titled “We Who Were Bound” was published in August 2012 by Casa de Cinco Hermanas Press.  His poems have appeared in U.S. 1 Worksheets, Mad Poets Review, Exit 13, Wild River Review, Fox Chase Review and Adanna.  He has performed his music-backed poems at Chris’ Jazz Café in Philadelphia and The Cornelia Street Café in New York.

2/13 Katherine Bancroft and Steve Burke

February 5th, 2013
Feb
13
7:00 pm

February 13, 2013 – Katherine Bancroft and Steve Burke

Second Wednesday of the month will be coordinated and hosted by Charles Carr, a native Philadelphian, born and raised in Southwest Germantown. In 2007 Charles was Mad Poets Review First Prize Winner for his poem “Waiting To Come North”.  In 2009 Cradle Press of St. Louis published Charles’s first book of poetry: paradise, pennsylvania. Charles’ poems have been published in various print and on-line local and national poetry journals.  Charles has recited his poems at various regional poetry events.  Haitian Mud Pies will be published in
2013.

A Permanent Accusation: Art Confronts Lynching and Other Acts of Inhumanity

January 8th, 2013
Jan
30
7:00 pm

Wednesday January 30, 7pm

A Permanent Accusation: Art Confronts Lynching and Other Acts of Inhumanity

Moonstone Arts Center, 110A S. 13th Street, Philadelphia, PA 19107, 215-735-9600

Art, in all its forms, is powerful. Poems and music, paintings and dance make us feel as well as think. Art produces the “affect,” the internalized feeling and emotional understanding that goes beyond cognition. Human beings have done terrible things to each other but the purpose of this program is not to beat anyone up or bemoan the ills done to us. Our purpose is to acknowledge and to remember that we human beings need to be vigilant and to respond when things go astray. We need to remember that “Eternal vigilance is the price of liberty,” and “The only necessary for the triumph of evil is for good men to do nothing.” I thank the artists in this program for being vigilant and for acting and for producing wonderful art on terrible subjects. As Botero says in his video, “Nobody would remember Guernica if not for the painting.”

Visual Art:

World Artists Against Apartheid (13 prints)

Permanent Accusation: Botero on Abu Ghraib (Video)

Collage and Conflict: The Anti-Imperialist Art of Theodore A. Harris

 

Music: Strange Fruit, Billie Holiday; The Death of Emmett Till, Bob Dylan

End this War… After Shirley Chisholm – triptych by Theodore A. Harris

Poetry: Marjorie Agosin (Torture in Chile – The most unbelievable part); Gregory Djanikian (Armenian genocide – So I will till the Ground); Hanoch Guy Kaner (Jewish Holocaust – Terra Treblinka. Holocaust Poems); Lynn Levin (Sexual Violence); Ewuare X. Osayande (on White Supremacy – Whose America?); Aaren Yeats Perry (history – Ariku: A Re-Membering); Lamont B. Steptoe (African American experience – Meditations on Congo Square); Robert Zaller (War – Dresden Zoo poem)

Dance: Lela Aisha Jones (Native Portals of Lynching and Love, The profound imagery of the noose becomes a portal towards understanding the past and future of the African/Afro/Black experience. Inspired by their personal stories, memories, and dreams, six dancers explore their exposure to this country’s traumatic history of lynching and ask the question: what would it take for me to fall in love with someone different?)

Part of the Ida B. Wells, Lynching & Trayvon Martin project - February 22 to March 3, 2013 produced by Moonstone Arts Center

for information www.moonstoneartscenter.org/idabwells or 215-735-9600