10/10 – 4pm – Mary Cappello author of Called Back

Saturday, October 10th, 2009

SATURDAY OCTOBER 10, 4pm – NON-FICTION
MARY CAPPELLO

Author of Called Back: My Reply to Cancer, My Return to Life ($15.95 Alyson)

called back

In her intensely personal and insightful memoir, Mary Cappello wonders aloud for us what breast cancer awareness really makes us aware of, and responds as if for the first time to the deceivingly simple command: “tell me what you’re feeling.” Unable to eat on chemotherapy, Cappello feasts on the paintings of Marsden Hartley, yearns in the tradition of Dickinson and Stein, keeps company with Proust, and lets queer artists tease her back to life. Called Back looks through the lens of cancer to discover—often with humor—new truths about intimacy and essential solitude, eroticism, the fact of the body, and the impossibility of turning away. Mary Cappello is the author of two previous books of literary nonfiction, Night Bloom, and Awkward: A Detour, a Los Angeles Times Bestseller. Her essays and experimental prose appear in such places as The Georgia Review, Salmagundi, Southwest Review, American Letters and Commentary, and have been awarded The Bechtel Prize for Educating the Imagination from Teachers and Writers Collaborative, the Lange-Taylor Prize from Duke University’s Center for Documentary Studies, and Notable Essay of the Year Citations in The Best American Essays. A former Fulbright Lecturer at the Gorky Literary Institute in Moscow, Russia, Cappello is Professor of English and Creative Writing at the University of Rhode Island.

“Mary Cappello’s Called Back shimmers on the page. Ezra Pound said a writer has to ‘make it new’ and Cappello has done that rare feat. Cancer books have become a genre that nobody wants to read, except this book. Read this book. Called Back is exquisite.” – Patty Dann author of Mermaids, and of The Goldfish Went on Vacation: A Memoir of Loss (and Learning to Tell the Truth About It)

“I began Mary Cappello’s book with some fear. As a survivor of breast cancer I was not eager to relive the experiences. To my surprise, I was instantly captivated by Cappello’s merciful honesty, her courageous and profound descriptions, and her humor – yes, passages so funny I had to put the book down to laugh at the absurdities enmeshed in some of the medical treatments and relationships, a laughter that might end in tears of remembered sorrow, both relieving and deeply healing, and then become laughter again. As a writer, I was inspired and enthralled by the beauty of her language. I did not think anyone could turn the experience of breast cancer into poetry, being accustomed to banalities and outright lies, and here was proof that I was wrong. Mary Cappello does not shrink either from truth or from beauty, and in every way gives herself, and therefore gives to us, her readers, the uncompromising depth of her experience so that Called Back becomes a memoir about breast cancer in the particular, but, like any true poetry becomes more – a story about the experience of profound suffering, and how one brave, resilient and brilliant woman found her way through.” – Jane Lazarre, author of Wet Earth and Dreams: A Narrative of Grief and Recovery

10/08 – 7pm – Michael Curtis author of Orientalism And Islam

Thursday, October 8th, 2009

THURSDAY OCTOBER 8, 7pm – NON-FICTION
MICHAEL CURTIS

Author of Orientalism and Islam: European Thinkers on Oriental Despotism in the Middle East and India ($22.95 Cambridge University Press)

orientalism

Through an historical analysis of the theme of Oriental despotism, Michael Curtis reveals the complex positive and negative interaction between Europe and the Orient. The book also criticizes the misconception that the Orient was the constant victim of Western imperialism and the view that Westerners cannot comment objectively on Eastern and Muslim societies. The book views the European concept of Oriental despotism as based not on arbitrary prejudicial observation, but rather on perceptions of real processes and behavior in Eastern systems of government. Curtis considers how the concept developed and was expressed in the context of Western political thought and intellectual history, and of the changing realities in the Middle East and India. The book includes discussion of the observations of Western travelers in Muslim countries and analysis of the reflections of six major thinkers: Montesquieu, Edmund Burke, Tocqueville, James and John Stuart Mill, Karl Marx, and Max Weber.

10/07 – Gerald Elias author of Devil’s Trill

Tuesday, October 6th, 2009

WEDNESDAY OCTOBER 7, 7pm – CRIME FICTION
GERALD ELIAS

Author of Devil’s Trill ($25.99 Minotaur)

devils trill

From concert violinist Gerald Elias comes this debut set in the classical music world about the theft of a priceless violin. Daniel Jacobus is a blind, reclusive, crotchety violin teacher living in self-imposed exile in rural New England. He spends his time chain-smoking, listening to old LPs, and occasionally taking on new students, whom he berates in the hope that they will flee. Jacobus is drawn back into the world he left behind when he decides to attend The Grimsley Competition at Carnegie Hall. The young winner of this competition is granted the honor of playing the Piccolino Stradivarius, a uniquely dazzling three-quarter-size violin that has brought misfortune to all who possessed it over the centuries. But the violin is stolen before the winner of the competition has a chance to play it, and Jacobus is the primary suspect. With the help of his friend and former musical partner, Nathaniel Williams, his new student,Yumi Shinagawa, and several quirky sidekicks, Jacobus sets out to prove his innocence and find the stolen Piccolino Strad. Will he be successful? The quest takes him through the halls of wealth and culture, across continents to Japan, and leads him to a…murder.
Devil’s Trill gives the reader a peek into the world of classical music, with its backstabbing teachers and performers, venal patrons, and shady violin dealers. It is the remarkable beginning of a wonderful new series.

A graduate of Yale, Gerald Elias has been a Boston Symphony violinist, Associate Concertmaster of the Utah Symphony since 1988, Adjunct Professor of Music at the University of Utah, first violinist of the Abramyan String Quartet, and Music Director of the Vivaldi Candlelight concert series.

Friday, Oct. 2 – 9pm – Scott Churchman, Sugarplums, Junkers, and Mantasy

Friday, October 2nd, 2009

FRIDAY OCTOBER 2, 9pm – MUSIC – $5
SCOTT CHURCHMAN
SUGARPLUMS
JUNKERS
MANTASY

Scott Churchman is both man and entity. A Philadelphia-based songwriter who has assembled a band that promises to take the huge, dreamy landscapes of its recordings to new and unheralded levels in the space of both time and space.

Baltimore’s Sugarplums have attracted the gaze of Atomic Beat Records for their wondrous brand of reverb-soaked boy-girl vocals and light-hearted pop sensibility. A shining gem from the underground of Charm City, this rare Philadelphia appearance is not to be missed.

Junkers have recently emerged from a three year absence to restart their timeless task of mining the pebbles, graves, and rubble of the sixties through a contemporary lens. In their basement-sullied hands, the hissy, lost masters, straight from VG- 45 to digital sound of the great, lost man-boy groups of that decade becomes fun, exciting trash rock.

Mantasy is an act that serves up its own brand of meaty excellence. At once both powerful and soothing, Mantasy certainly gives more than it receives. In live action, they have the promise to make people of all orthodoxies swoon, and restart their lapsed diet of vitamins. One can only wait in humble anticipation for their debut: Double Mantasy.

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