| Feb |
| 28 |
| 7:00 pm |
Tuesday February 28, 7pm – Poetry
Anne Waldman author of The Iovis Trilogy – Colors in the Mechanism of Concealment ($40.00 coffee House Press)
Published for the first time in its entirety, this major epic poem assures Anne Waldman’s place in the pantheon of contemporary poetry.
The Iovis Trilogy, Waldman’s monumental feminist epic, traverses epochs, cultures, and genres to create a visionary call to poetic arms. Iovis details the misdeeds of the Patriarch, and with a fierce imagination queries and subverts his warmongering. All of Waldman’s themes come into focus—friendship, motherhood, politics, and Buddhist wisdom. This is epic poetry that goes beyond the old injunction “to include history”—its effort is to change history.
“Begun in the 1980s, this mammoth work may be the summit of [Waldman’s] career and . . . an attempt at a new world history, a radical re-creation myth, an homage to Blake’s epics and Pound’s cantos, and a mystic or matriarchal answer to the male-dominated civilization that we have known. . . . A book to admire, to pay homage to, to get lost in, Waldman’s epic goes splendidly on and on, mixing the shamanistic with the diaristic, the topical with the prayerful, incorporating almost everything . . . ”—Publishers Weekly, starred review
“This Virgilian epic song, a vast written performance that must be acknowledged for its “orality of intention,” is an expression of knowledge—embodied and disembodied, material and transcendental, violent and pacifist, visionary and starkly realist, present and transhistorical. To read it, to move across its many pages, is to invite a demand for and a belief in freedom that is platonic and phonemic. The three books collected in The Iovis Trilogy . . . together show the force of Waldman’s galloping collection of forms as a vibration of knowledge through ceaseless experiment, a sensorium through which the roundness of self burrows in to win the furthest circumference.”—The Poetry Project Newsletter
“Waldman takes you by the collar and slams you down with language, image, and message, leaving you breathless and shattered in the aftermath of her incantatory vision. . . . The poems repeat themselves, wrap around themselves, glide through linguistic holes that only the poet herself could have seen. They trumpet, blare, and whisper vision upon vision of a world gone crazy with war and patriarchal mores, then proceed to share another vision, one of healing and peace. . . . This is a book of action, a poetic clarion call. Huge and weighty, it will be compared to The Cantos and Paterson. It is neither. It is Iovis; it is an act of incendiary love, and it stands alone.”—Powells.com










