Category: Theater


In the Future a Woman Shines Bright

Tuesday, January 25th, 2011
Mar ’11
2
7:00 pm

Wednesday, March 2, 7pm – Theater

In the Future a Woman Shines Bright – a theater presentation on Frances Ellen Watkins Harper

Featuring Sekai, written by Stephen C. Satell

A one-person production on Frances Ellen Watkins Harper, the best-known African American poet and novelist of the nineteenth century, who lived at 10th and Bainbridge Streets. Portraying Harper is Sekai, who began acting at Freedom Theater and has performed at Walnut Street Theater, The Adrienne Theater and the Black Theater Festival.

JOHN BROWN: TRUMPET OF FREEDOM

Saturday, January 22nd, 2011
Buy Tickets
Feb ’11
17
7:00 pm
Feb ’11
18
7:00 pm
Feb ’11
19
7:00 pm

February 17, 18, 19, 7pm – Theater
- Tickets $20 general admission/ $15 Seniors and students

JOHN BROWN: TRUMPET OF FREEDOM

“An outstanding piece of historical theatre, powerfully acted by Norman Thomas Marshall. I highly recommend it.”   –F. MURRAY ABRAHAM, 1986 Academy Award, Best Actor, Amadeus

“When performing, Norman Marshall is John Brown. He embodies all of the Puritan warrior’s characteristics: his passion, his toughness, his piety, and, above all, his uncompromising commitment to human rights.” -DAVID S. REYNOLDS, author of John Brown, Abolitionist: The Man Who Killed Slavery, Sparked the Civil War, and Seeded Civil Rights

“He is an artist and intellectual and his passion for Brown is authentic and deeply-rooted. A descendant of slavemasters and klansmen, Norman is perhaps the quintessential ’race traitor’–a white southerner from Virginia (the state that murdered John Brown), armed-to-the-teeth with a larger-than-life wit and wisdom which he well uses in his own struggle against injustice, and in an unabashed defense of the most misunderstood and misrepresented human rights activist of the modern era.“  -Rev. LOUIS A. DECARO, author, John Brown: The Cost of Freedom,  John Brown: Fire from the Midst of You and John Brown: The Man Who Lived

I found the portrayal deeply moving and extraordinarily accurate.  In fact, Mr. Marshall can be said to channel the spirit of John Brown in his performance”. -JONATHAN EARLE, author of John Brown’s Raid: A Brief History With Documents

“A mesmerizing show written by George Wolf Reily and Marshall, who gives a passionate performance that carries your attention in this well scripted one-man show.” -LINDA ARMSTRONG, Amsterdam News

“John Brown’s body is most certainly not mouldering in the grave. Norman Marshall has magically and marvelously brought him to life.” –PETER FILICIA, Star-Ledger , Theatre Week

“-single-handedly brings John Brown and a swarming host of his contemporaries to vivid, full-blooded life in this powerful, passionate and richly rewarding solo work.” -JOHN CLANCY, Founder, NY International Fringe Festival

“Brown assumes near iconic dimensions in this production. Marshall’s John Brown walks us vividly and compactly through the life of this extraordinary individual. This is an historical drama recreated with accuracy, accessibility and remarkable emotional depth. I can only hope that many more will be enabled to share in the world of this impassioned man who Norman Thomas Marshall so powerfully illuminates on the stage.” -PETER HINKS, Lecturer in American History, Yale University

“ you truly forget that it’s Marshall and not Brown standing before you…” -JULIE CONGRESS, nytheatre.com

More information and complete reviews can be read at www.wbworks.com/johnbrown

Solo Drama Explores Race & Justice

JOHN BROWN: TRUMPET OF FREEDOM,  a drama by George Wolf Reily and Norman Thomas Marshall. Directed by Reily, features Marshall as thirty historical characters including Brown, Abraham Lincoln, Frederick Douglas and even Harriet Tubman.

John Brown: Trumpet of Freedom explores, through historically accurate words from “the Old Man” himself, the inner life of a man who commits himself to the destruction of slavery.  Marshall and Reily integrate old spirituals and hymns which Brown sings to illuminates his inner fire. The play’s major focus is on several episodes from his life:1-Witnessing a brutal beating of an enslaved child; 2-His guerrilla campaign in the Kansas that resulted in the deaths of five pro-slavery men; 3-The raid on Harpers Ferry; 4-His trial and execution.

In the shadow of the gallows, on the morning of his execution – a fate that he joyfully embraces – he composes a farewell letter to his abolitionist compatriots.  He is confident that his death at the hands of slavery loving State of Virginia will hasten the end of the “peculiar institution” of chattel slavery.  The play challenges the tradition of Brown’s role in history as that of a mentally unbalanced fanatic and argues that he is, in fact, a uniquely heroic figure.

Norman Thomas Marshall was born in Richmond, Virginia, the son of a Klansman and grandson of a slave owner. His colorful life includes a stint as an offensive tackle for the Richmond Vikings, a civil rights activist, and a center of a 1960′s Supreme Court case involving his expulsion from college for his political activism.

He moved to New York City in 1966 and became deeply involved in the Off-off Broadway theatre movement.  His New York debut was with the “Ridiculous” theater in the title role of Ronald Tavel’s “Gorilla Queen” at the Judson Poets Theatre.  He performed in Tavel’s Obie Award winning “Boy on a Straight Back Chair”, “Blood Wedding” with Raul Julia, “Of Mice and Men” with F. Murray Abraham, Jackie Curtis’s  ”Amerika/Cleopatra” opposite Harvey Fierstein (who played his mother-in-law), and “Charlie Was Here & Now He’s Gone” with Joe Morton and Robert Guillaume. His film and television work includes many appearances on Daytime Dramas (soap operas) and in film roles opposite Burt Reynolds, Barbara Streisand, and Fritz Weaver. He spent eleven years as the Artistic Director of the No Smoking Playhouse in New York City.

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OBAMA: Straight No Chaser: a Play by Maurice Henderson

Saturday, January 22nd, 2011
Feb ’11
21
7:00 pm

Monday, February 21, 7pm – Theater – $10 Admission

OBAMA: Straight No Chaser

written and directed by Maurice Brian Henderson

This one man play takes on an engaging, humorous and spell bounding look at the trials and tribulations which has encompassed the electoral tenure of Barack Obama, the first black President of the United States. For more information contact Maurice Henderson at 267-230-0317 or mauricebrianhenderson@yahoo.com

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Love Doesn’t Live Here Anymore

Wednesday, December 29th, 2010
Jan ’11
26
7:00 pm

Wednesday, January 26, 7pm – Theater – $10 Admission

Love Doesn’t Live Here Anymore

written by Stephen Satell and directed by Connie Norwood

Love doesn’t Live Here Anymore is taken from Stephen C. Satell’s novel Our Daddies Are Home and is directed by renowned Philadelphia director and actor Connie Norwood. The story is about the struggle between a teenage girl living in Roxbury, Massachusetts and her father who she remembers as loving and fun when she was small but now that she is a teenager he has turned mean and her mother also notices love has left the household. Leslie’s father knows he has to both protect and prepare his daughter for the mean world. The question is does he go too far and will he lose her completely.  Leslie’s family lives next door to a college friend of Leslie’s father an ex-police officer who lost his legs in a car accident. He is the father of Joy whose Leslie’s best friend and who comforts Leslie from her father although she admires her friend who is a leader just like her father. Leslie convinces Joy to join the school’s softball team that didn’t win a game the year before.  As the drama unfolds, so does the history of both families and each individual. The question becomes can love be restored in a family that has seen it disappear. The strength of the friendship between the two girls is never in question. After the show there will be a discussion about the struggle between father’s and daughters once daughters reach puberty. . . .

A Portrait in Black & White

Wednesday, December 29th, 2010
Jan ’11
22
7:00 pm

Saturday, January 22, 7pm – Theater

A Portrait in Black & White

by Robert Miller, directed by Donovan Hagins

The story explores the racial attitudes of two corporate attorneys, 50 year old Charles Mallory, and 40 year old Frank Falcone. Charles risks his corporate career and taks on a civil case with racial overtownes against the advice of a rising star, Frankie Falcone. The case reignites Charles’ civil rihs proclivities while exposing Frank to class discrimination.

Solace Rambling

Monday, May 17th, 2010
May ’10
19
7:00 pm

WEDNESDAY, MAY 19, 7pm – POETRY
SOLACE RAMBLING
An array of Philly artists present an evening of eclectic and multi-sensory performance – from intense to uplifting

Featuring: Dear Arizona – Performance poet Jacob Winterstein and puppet-artist J. Marshall-Lively collaborate in this narrative of exile and desperation – from the flight of Jewish emigrants out of Nazi Europe to our own nation’s treatment of immigrants and refugees. Lillie Ruth Bussey – One-woman musical outfit brings together both electronic and acoustic sounds with just the right dose of theatrics to deliver sublime and heartfelt folk-pop melodies. The charm/strange experience – A music/video project that blends epic piano music and dazzling visuals to create an inspiring message…to let go of the ego and embrace the present…

Marx In Soho by Howard Zinn With Bob Weick as Karl Marx, Directed by John Doyle

Friday, April 9th, 2010
May ’10
3
7:30 pm

MONDAY MAY 3, 7:30pm – $10. – THEATER
by Howard Zinn
With Bob Weick as Karl Marx, Directed by John Doyle

“Bob Weick captured Marx and his ideas with the proper strength and subtlety, moving very effectively through a range of moods: humorous, angry, poignant. We admired Weick’s transitions, change of pace, the nuances of feeling. In short, I am very happy with what Bob has done. John Doyle directed the play brilliantly “. Howard Zinn author of Marx in Soho & The People’s History of The United States

“This production does several different things with great skill, subtlety, and professionalism. The audience will encounter a Marx who remains passionate about injustice, critical of inequality, and combative with his rivals … but also a Marx who is loving toward his family, saddened by their poverty, and willing to rethink some of his ideas. Bob Weick is a gem of a performer, taking the audience on a whirlwind tour of different moods, attitudes, and ideas. Whether you’re a novice undergraduate, a Marxist scholar, a social justice advocate, or an interested citizen, you will find much of value in this production.” Steve Buechler,
Minnesota State University, Mankato

“Going to see Marx in Soho I wasn’t quite sure what to expect. Neither, I think were most of other students or professors that attended the show but most, I think, enjoyed it immensely. Marx is often seen as dull, dry and outdated – a difficult writer to understand, but Marx in Soho was fresh, fiery and entertaining. Enjoyable to many, interesting to others and no doubt offensive to somebody (as all great theatre should be). Marx in Soho brought a long dead revolutionary to Columbus Ohio. Perhaps he should visit more often.” Amanda Mielke, College Student

Iron Age Theatre is dedicated to intense, passionate, creative, theatre focused on the human condition and social justice and created organically and collaboratively. Iron Age Theatre is A Non-profit 501(c)3 organization.

Tonight @ 7pm – No Gang War in ’74 – A Drama based on the book by Stephen Satell

Wednesday, January 27th, 2010

WEDNESDAY, JANUARY 27, 7pm – DRAMA – $10 Cover
No Gang War in ’74

BACKGROUND

No Gang War in ’74 is a play with a professional cast and music, based on a book written by Stephen C. Satell, which tells important Philadelphia history that starts with the Black Power conference in 1968. Frankee Davenport, a promoter and widow with six boys, attended the Conference and then started the Umoja National Magazine. She wanted to promote the things about black and African culture that were not represented in the media. She conducted meetings at her house with other professionals on Sundays.

A fiery younger man came by the house and said he was busy studying economics but he would like to help. Frankee found him intimidating, but then realized he got things done. His name was David and he had a way of capturing all of her sons’ attention. Several months later they were married and they changed their name to Fattah which means “beloved revealer.” Frankee also changed her first name to Falaka which means light. She had been named Mary Ellen after her relative, Frances Ellen Watkins Harper, a famous writer, who died twenty year’s before Frankee’s birth.

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12/10 – 7pm – Just Around the Clock to a Brave New World

Thursday, December 10th, 2009

THURSDAY, DECEMBER 10 – 7pm – PERFORMANCE
National Black Arts Spoken Word Tour Presents:
JUST AROUND THE BLOCK TO A BRAVE NEW WORLD
This staged adaptation chronicles gang warfare, violence in the home, schools and comunities. It also explores Bridging Worlds and Houses of Reconciliation to R.I.P. (Rest in Peace) as a civics literacy post modernity of John Brown. Dramaturgy provided by Steve Satell, author of No Gang War in 74 and Keith Mungin, creator of Baby Mama Drama series. Its a family oriented performance and is suitable for all ages. Admission is free – reservations are required for groups or individuals. Please call Maurice Henderson at (267) 230-0317 or email nationalblackartsspokenwordtour@yahoo.com

Tuesday, 8/25 – 7pm – Katrina Poetry & Politics

Tuesday, August 25th, 2009

TUESDAY AUGUST 25, 7pm – POETRY
MOONSTONE POETRY SERIES and
the NATIONAL BLACK ARTS SPOKEN WORD TOUR
& NATIONAL BLACK AUTHORS TOUR Presents

KATRINA: POETRY & POLITICSmaurice henderson
Poetic & Spoken Word Performances by the Cast members from the Katrina Storm drama series and New York productions of “Wade in the Water” and “One More River to Cross”.

“MINE EYES HAVE SEEN INTO THE MILLENNIUM”
10th Anniversary Salute of the Anthology of African American Poets Contributors: Lois Mose, Kimmika Willimas, Kyle Morris, Eric Webb, Ronnie Way, Bill Holmes. E. Vardry Moses, Mbali Umoja, Paget Athena Jones, Tameka Wilcox, Anika Ragins, Margie Shaheed, Stacey Nicole Barney, M. Rose Barkley and Regie Gibson
Maurice Henderson, coordinator. Open Reading to follow.