A Portrait in Black & White

December 29th, 2010
Jan ’11
22
7:00 pm

Saturday, January 22, 7pm – Theater

A Portrait in Black & White

by Robert Miller, directed by Donovan Hagins

The story explores the racial attitudes of two corporate attorneys, 50 year old Charles Mallory, and 40 year old Frank Falcone. Charles risks his corporate career and taks on a civil case with racial overtownes against the advice of a rising star, Frankie Falcone. The case reignites Charles’ civil rihs proclivities while exposing Frank to class discrimination.

Tad Daley author of Apocalypse Never: Forging the Path to a Nuclear Weapon-Free World

December 28th, 2010
Jan ’11
21
7:00 pm

Friday, January 21, 7pm – Non-Fiction

Tad Daley author of Apocalypse Never: Forging the Path to a Nuclear Weapon-Free World ($24.95 Rutgers University Press)

Tad Daley, J.D., Ph.D., is a writing Fellow with the Nobel Laureate group, International Physicians for the Prevention of Nuclear War, and a former speech writer for US Senator Alan Cranston and Congressman Dennis Kucinich. Mr. Dalesy will give a lecture, followed by Q & A, about nuclear weapons in the US, Iran, Pakistan, North Korea, the new START treaty and his vision for a nuclear-free world.

LOS: Mike Boone & Friends + Claffy Music Collective

December 18th, 2010
Buy Tickets
Jan ’11
14
8:30 pm

Friday, January 14 - Doors: 8:30 p.m. Show: 9 pm sharp – BYOB – Jazz

$10 at the door / $8 in advance
(at www.brownpapertickets.com/event/142604)

Lucky Old Souls @ Moonstone Presents

Claffy Music Collective
Dahi Divine, tenor saxophone
Amaury Acosta, drums
Jason Matthews, piano
Alex Claffy, bass
Born and raised in the greater Philadelphia area, ALEX CLAFFY is an 18-year-old upright and electric bassist currently living in New York City attending the New School for Jazz and Contemporary Music. Alex grew up in a family full of musicians, including his father bandleader Joseph Claffy. While attending high school, he attended the Clef Club of Jazz and Performing Arts directed by the renowned educator Lovett Hines. Alex has also studied with bass teachers Vernon Lewis, Peter Paulsen at West Chester University, and the legendary Mike Boone. Alex has performed/worked with drummers Justin Faulkner, Rodney Green, and Wayne Smith Jr.; pianists George Burton and Luke O’Reilly; saxophonists Victor North and Chad Lefkowitz-Brown; and Jeff Bradshaw’s Brass Heaven.
Mike Boone & Friends
Mike Boone, bass
Jim Holton, piano
Vince Turnbull, trumpet
Rob Henderson, drums

Bassist MIKE BOONE is ubiquitous on the Philly scene. The house bassist at Ortlieb’s Jazzhaus for many years and a member of the famed “Philly Rhythm Section” along with Byron Landham and the late Sid Simmons, Boone can now be heard at various venues in and around Philadelphia. His timekeeping is impeccable, and he makes any musician who plays with him sound better.

Lucky Old Souls @ Moonstone is monthly event, showcasing some of Philadelphia’s most creative musicians in a laid-back, BYOB venue that combines the intimacy of a club with a concert hall’s respect for the music.

P&P: What Now Open Reading

December 18th, 2010
Jan ’11
18
7:00 pm

Tuesday, January 18, 7pm – Poetry

Poets & Prophets Presents What Now?

Open Reading

Moles Not Molar and MPS Present: Maja Jantar and Chenda Cope

December 18th, 2010
Jan ’11
19
7:30 pm

Wednesday, January 19, 7:30pm – Poetry

Moles Not Molar & Moonstone Poetry Present

An exciting evening of multi-media poetic performances
Featuring Maja Jantar (Polysonic Voice Artist; Belgium)
& Chenda Cope (Artist & Musician; Philadelphia)

The North of Invention conference takes place at the Kelly Writers House on Jan 20 & 21.

Maja Jantar (www.myspace.com/majajantar) is a multilingual and polysonic voice artist living in Ghent, Belgium, whose work spans the fields of performance, music theatre, poetry and visual arts. A co-founder of the group Krikri (www.krikri.be), she has been giving individual and collaborative performances throughout Europe and experimenting with poetic sound works since 1995. From 2001 to present, Jantar has directed ten operas, including Monteverdi’s classic Incoronatione di Poppea and Sciarrino’s contemporary Infinito Nero. Recently, she performed with Vincent Tholomé and Sebastien Dicenaire at the Centre Pompidou in Paris for the Bruits de Bouche Festival. Her visual poetry has appeared in various publications, among others Zieteratuur (The Netherlands), and her visual work has been shown in several exhibits. Recently, an ink-and-paper selection from her “Lilith” series could be seen at Kunsttempel Kassel (Germany). In the near future, she will continue her extensive collaborations with Canadian poet and interdisciplinarian a.rawlings and will soon be publishing a CD and art book of her visual and audio work with Hybriden Verlag in Berlin.

Chenda Cope is an artist and musician living in Philadelphia. She spends her time making things, making music and asking the big questions.

The goal of Moles Not Molar is to put writers and artists pursuing exciting, innovative and experimental projects into contact and dialogue with each other and their diverse audiences, creating exposure and engagement across regional and generic lines.

For more information, contact us at molesnotmolar@gmail.com.

On the following day, the North of Invention conference at Kelly Writers House commences. North of Invention presents 10 Canadian poets working at the cutting edge of contemporary poetic practice, bringing them first to the Kelly Writers House, then to Poets House in New York City for two days of readings, presentations and discussion in each location. Celebrating the breadth and complexity of poetic experimentation in Canada, North of Invention features emerging and established poets working across multiple traditions, and represents nearly fifty years of experimental writing. North of Invention aims to initiate a new dialogue in North American poetics, addressing the hotly debated areas of “innovation” and “conceptual writing,” the history of sound poetry and contemporary performance, multilingualism and translation, and connections to activism. For a full schedule of those events see writing.upenn.edu/wh/archival/events/northofinvention/.

Philadelphia Stories Fiction Workshop

December 18th, 2010
Jan ’11
24
6:30 pm
Jan ’11
31
6:30 pm

Mondays in January 6:30 – Fiction Workshop

Philadelphia Stories Fiction Workshop

For more information, please email christine@philadelphiastories.org

Life of a Poet Workshop w/ Leonard Gontarek

December 18th, 2010
Jan ’11
6
5:30 pm
Jan ’11
13
5:30 pm
Jan ’11
20
5:30 pm

Thursdays in January, 5:30pm – Workshop

The Life of The Poet Workshop with Leonard Gontarek

Thursdays, 5:30 – 7 PM. $60 for four sessions. Contact: Leonard Gontarek – gontarek9@earthlink.net

The Nation magazine Discussion Group with special guest Will Bunch

December 17th, 2010
Jan ’11
9
11:00 am

Sunday, January 9,  11am – Discussion Group – open to everyone

The Nation magazine Discussion Group with special guest Will Bunch author of The Backlash: Right-Wing Radicals, High-Def Hucksters, and Paranoid Politics in the Age of Obama

“The Backlash” is the first hard-hitting – yet fairly and thoroughly reported – investigative report that goes behind the hype to reveal what the Tea Party Movement is really all about. Over the last two years, I went everywhere from the militia-breeding Knob Creek Machine Gun Shoot in rural Kentucky to the hot asphalt of the immigration debate in Phoenix to the inner circle of the radical Oath Keepers, to find out who was joining this backlash against the Obama presidency and what they really wanted . I’ll show you Glenn Beck as you’ve never seen him before, take you behind the scenes at Sarah Palin’s coronation as queen of the Tea Party, and introduce you to the most radical extremist in the U.S. Congress. “I tried to write “The Backlash” with the same rowdy spirit as the kind of political books I grew up with in the 1970s heyday of the likes of Tom Wolfe and Hunter Thompson, and critics seems to agree. MSNBC and Slate.com’s Dave Weigel named it one of the best political books of 2010 – “angry, opinionated, fair, and very, very funny”; the New York Times’ Michiko Kakutani called it “compelling” and “persuasive”; radio’s Thom Hartmann wrote “this book could have been a movie”; while Susie Madrak of Crooks and Liars said “The Backlash” “reads like a detective novel.” Will Bunch

Thabiti Lewis author of Ballers of the New School

December 10th, 2010
Dec ’10
11
5:00 pm

Saturday, December 11, 5pm – Non-Fiction

Thabiti Lewis author of Ballers of the New School: Racism and Sports in American Culture ($17.95 Third World Press)

Thabiti Lewis teaches English and Black Studies at Washington State University Vancouver. The former editor, radio show host, columnist, and freelance writer for The Source. The St. Louis American and News One lectures on topics ranging from images of African Americans in popular culture (sports and hip hop) to Dr. Martin Luther King Jr. and the responsibility of youth. His forthcoming book Ballers of the New School: Race and Sports in America challenges to alter the landscape of race and sport culture.

Thabiti Lewis is an emerging, fresh, studied voice. Dr. Lewis has been sought to do lecture[s] at Vancouver University, Princeton University, University of Virginia, Lenoir-Rhyne, Evergreen State University, and Northern Arizona University, among others. He has served as a community member on the editorial board of The Statesman Journal newspaper. His work has also appeared in anthologies, journals, and newspapers such as Mosaic Literary Magazine, Oregon Humanities, and The St. Louis Post-Dispatch, AmeriQuests and book chapters.

In addition to teaching courses about African American literature and culture he teaches courses on hip-hop and film, black masculinity, and race and sport in America.

Dr. Lewis’s forthcoming book, Ballers of the New School: Race and Sports in America challenges the notion that sports culture has been a pioneer for racial progress. He contends that American sport has not contributed to racial progress as much as it is mythologized to have done. This is more media spin than truth, he contends; a figment of imagination aided by a modern technology armed with 24hour sports reporting, unlimited sports television channels, and a culture that cultivates anti-intellectualism.

Valya Lupescu author of The Silence of Trees

December 8th, 2010
Dec ’10
11
7:00 pm

Saturday, December 11, 7pm – Fiction

Valya Dudycz Lupescu author of The Silence of Trees ($14.99 Wolfsword Press)

“In The Silence of Trees, Nadya, the astonishing matriarch, war survivor, and narrator, weaves a remarkable life centered on fate, love, luck and choice while honoring the ghosts of her past. Her voice is an important and unforgettable addition to the post-war immigrant experience in this highly impressive and exquisite debut by novelist Valya Dudycz Lupescu.” –Irene Zabytko, author of The Sky Unwashed and When Luba Leaves Home
“Valya Dudycz Lupescu presents us an impressive novel debut with The Silence of Trees, in which she conjures a captivating story of the heroine, Nadya, across more than fifty years of secrets, truths, tales told and untold, quiet sacrifices, as well as memories of a difficult personal history she left behind in Central Europe. While letting go of her ghosts during her final years, she came closer to what was painfully lost to her and her people, even closer to the many small measures of happiness awaiting her . . . Will she embrace a present that renews and honors a heavy past? Like an enchanting tapestry of Ukrainian magic and folkloric images, this is a thoughtful and beautiful work.” Fiona Sze-Lorrain author of Water the Moon
“Lupescu weaves a magical tale in two senses: first, from the perspective of the craft of writing and, second, from that of sheer entertaining storytelling. It is the rare book that can bring the reader into the mystical side of folk religion without engaging the fantastical. Lupescu has done so. She has given us a window onto Ukrainian folk traditions that elegantly reveals the complexity of spirituality as it intertwines with politics, economics, folk traditions and formal or institutional religion. The story is captivating. The holocaust and the attempted demolition of the Ukrainian people is not an easy subject but Lupescu deftly frames her contemporary story against those shadow times without losing sight of the hopefulness, the determination and the spiritual faith of the survivors evidenced in their struggle to sustain their culture in America. This is a story that may make one laugh and cry, but, in the end, inspires readers to remember there are many ways of “knowing” and many perspectives on the notion of truth.” Monica M. Emerich, Ph.D. President, Groundwork Research & Communications Associate Researcher, Center for Media, Religion and Culture, University of Colorado, Boulder